Fourteen hundred paces wasted
walking to your door,
and every time a pointless pounding
headache - sore, resounding, raw;
what follows next? as you’d expect
a shocking exhibition of
that bloody mix of tears
and spit and semen spilled
across this gritty floor.
and from the day that we last spoke
I’ve counted twenty-four.
How come I'm your ignored -
you must have grown so bored of me
and now my fingers, gnawed and nails all bitten
paw through scores
of letters better left unwritten -
never sent, now torn and scattered, littered
with my bitter thoughts unuttered,
so utterly distraught I am, I poured a litany of scorn
and longing deep in each and every one of them.
(…oh, no - we didn’t speak, we swore).
Now after thirty calls left ringing,
no-one there to care a cringing jilted love’s
prepared to fling himself upon his knees
and plead his throbbing need for you
my eyes are stinging full of tears for you,
I’m breathless, sobbing out this creed to you, and
limply clinging to a faint receding glimpse of you.
I once believed you loved me too…
Was I misreading you?
Does any of that
fucking matter
any more?













Devious Comments
Comments
--
Sarah!!
glad you liked the bit about the letters
btw, it's 'rhythm' & 'grammar' - (forgive me but there's people around here'd crucify a girl over the odd typo)
Lol... Sorry, I have a bad habit of not checking my spelling.. It's usually not so much that I can't spell words, more so that my fingers don't type them how I tell them too.
--
Sarah!!
of letters better left unwritten -
never sent, now torn and scattered, littered
with my bitter thoughts unuttered,
so utterly distraught I am, I poured a litany of scorn
and longing deep in each and every one of them.
(…oh, no - we didn’t speak, we swore).
on the other hand (was there a 'one hand' in the first place...? no. that's right.), and despite the good rhyming, there's far too many instances of 'you' in this stanza' s last four lines:
Now after thirty calls left ringing,
no-one there to care a cringing jilted love’s
prepared to fling himself upon his knees
and plead his throbbing need for you
my eyes are stinging full of tears for you,
I’m breathless, sobbing out this creed to you, and
limply clinging to a faint receding glimpse of you.. same with the next two lines.
i don't want to walk into the trap of "i can relate", because that's not what this poem should be about. it should evoke emotions rather than administering existing ones (i.e. from your side to that of the reader's and back). don't get me wrong: evoke emotions it does. but since i've come to know you as a friendly and funny internet character, i can't help but bring this hitherto experience of mine into reading this poem. so i can't read this without thinking of it as a tongue-in-cheek poem rather than a 100% serious one. i know this might be a fault, but as i said i can't help it.
p.s. the first half of the poem is the stronger one regarding imagery.
--
the sky
to night's last city
Stripped of pride, and thoroughly self-abnegating, he emits a humiliating howl of you,you,you, clinging like a drowning thing to the futile hope that this might bring his departed lover back.
or that's how it's meant to be...
Too much drama? Well of course it's meant to be melodrama of the most lurid and adolescent kind, not just because twp has his tongue aligned ever so slightly sideways, but because that's what teenage love is, that and the clumsy release of bodily fluids.
As to your sneaking suspicion that twp, being a friendly and funny internet character (fantastic - makes me sound like Jiminy Cricket), might not be 100% serious in his literary intentions...well shhh! there. We don't want word getting around that twp is a fraud. Next thing, people will be saying he's not 56, he's not a predacious pederast, and, horror of horrors, his pants are neither tight nor white!
--
the sky
to night's last city
--
"Now I know the things I know, and I do the things I do; and if you do not like me so, to hell, my love, with you!"
Dorothy Parker
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